IWC Poetry Blog
Thursday, November 25, 2010
Session 9
Are lyrics poetry? Songs and poems began life as inseparable twins, but they are now - for the most part - thoroughly estranged . . . .
Thursday, November 11, 2010
Thursday, November 4, 2010
Session Six
Some poems about people to look at
WH Auden, Epitaph on a Tyrant
Norman MacCaig Aunt Julia
Fay Hart I Love Drunks
C.P. Cavafy An Old Man
George Barker To My Mother
Jackie Kay Brendon Gallacher
WH Auden, Epitaph on a Tyrant
Norman MacCaig Aunt Julia
Fay Hart I Love Drunks
C.P. Cavafy An Old Man
George Barker To My Mother
Jackie Kay Brendon Gallacher
Thursday, October 21, 2010
Session Four
Some poems to look at
William Stafford, Traveling through the Dark
William Empson, Missing Dates
Elizabeth Bishop, One Art
Dennis O'Driscoll Someone
Michael Hartnett, Death of an Irishwoman
William Stafford, Traveling through the Dark
William Empson, Missing Dates
Elizabeth Bishop, One Art
Dennis O'Driscoll Someone
Michael Hartnett, Death of an Irishwoman
Thursday, October 14, 2010
Session Three
Some poems to look at
Jane Hirshfield, 'For What Binds Us'
Jane Hirshfield, 'Tree'
Les Murray, 'Bats' Ultrasound'
Don't forget to listen to the audio!
Jane Hirshfield, 'For What Binds Us'
Jane Hirshfield, 'Tree'
Les Murray, 'Bats' Ultrasound'
Don't forget to listen to the audio!
Thursday, September 30, 2010
Session Two
The poems referred to in Session Two will be poster here after Friday's class
Please note that there will be no class on Friday 8 October as I will be away. An extra class will be added on the the end of the course.
Exercise
for Friday 15 October
Go the Van Gogh Gallery. Or any other online or real art gallery. If you're in the neighbourhood of Parnell Square you could drop into the Hugh Lane Gallery. Choose one of the paintings that you find interesting. Look carefully at your painting now, its textures, shapes, tones and emotions; observe the various objects in its composition.
In this exercise, you will learn how a poem can be saturated with images.
Imagine that you are some thing in the painting and try to write a poem from that point of view. When you begin to write, speak in your poem as though you have become that thing in the painting. Step inside the painting and imagine that you are actually there, standing, observing, smelling, and tasting the things around you in the painting.
Please note that there will be no class on Friday 8 October as I will be away. An extra class will be added on the the end of the course.
Exercise
for Friday 15 October
Go the Van Gogh Gallery. Or any other online or real art gallery. If you're in the neighbourhood of Parnell Square you could drop into the Hugh Lane Gallery. Choose one of the paintings that you find interesting. Look carefully at your painting now, its textures, shapes, tones and emotions; observe the various objects in its composition.
In this exercise, you will learn how a poem can be saturated with images.
Imagine that you are some thing in the painting and try to write a poem from that point of view. When you begin to write, speak in your poem as though you have become that thing in the painting. Step inside the painting and imagine that you are actually there, standing, observing, smelling, and tasting the things around you in the painting.
Tuesday, September 21, 2010
Session One Texts
In That Great River: A Notebook by Anna Kamienska, from The Poetry Foundation
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